Claude Carrière (March 14, 1939 – February 20, 2021) … his Facebook page has become the place to learn about the producer, scholar, pianist, President of La Maison du Duke … a Parisian who loved New York as well, he took me to lunch in his Charonne neighborhood and explained terroir … I am so grateful for the friendship. A small funeral will be held.
I last saw Claude in fall 2019 at the Harlem à Limoges conference. He was radio colleague and a friend. I saw him in Paris too, broadcasting live on France Musique from Sunset/Sunside. I have wonderful CDs that he produced, each package is beautiful and clever. What follows is my blog post from last March, when we were becoming acquainted with isolation.
Restez chez vous tips from Claude Carrière
The following joke has rewarded me with 59 likes and 15 shares on Facebook. It comes from my friend Claude Carrière in Paris.
A plane with 5 passengers on board — Donald Trump, Boris Johnson, Angela Merkel, the Pope and a 10-year-old schoolgirl — is about to crash and there are only 4 parachutes.
Hi Becca, I hope you are well, and sorry for my delay in replying in detail. I too am worried – last night on TV they said that unfortunately there are a thousand infected in New York. We are fine, even if the situation is not easy here. Yesterday in our region (Veneto) they counted 1027 infected and 29 dead. We must remain as closed as possible at home, and from today the government has decided to close all shops, factories and offices that are not indispensable (such as grocery stores, pharmacies, banks, etc.). Schools are closed, and the music schools where I teach piano have been temporarily closed since last week. We pray that all this will end soon. And since we have to stay at home, let’s try to play and listen to as much good music as possible! A hug and a warm greeting to you and your loved ones!
Back in 1990 Ekay Music published pianist Riccardo Scivales’s loving and accurate transcriptions of 26 classic Harlem Stride solos from the 1920s and 30s, originally documented on piano rolls and early recordings. Scivales was the first to transcribe many of these challenging, exuberant pieces. Think “Carolina Shout” by James P. Johnson and “Smashing Thirds” by Fats Waller.
Harlem Stride could be a life’s work, but from his keyboards in the Venice area, Riccardo also passionately leads the Prog Rock Band Quanah Parker (named for the Comanche chief) and just finished a piano arrangement of “La Scala” from The Symphonic Ellington album, to be played “as soon as normal life starts again.”
Dear Lord, may that day come quickly!
ADDENDUM: From Italy Riccardo has added to this blog post, with a comment about his love for Progressive Rock for its “Beauty, Poetry and Imagination,” and why he named his band for a Comanche chief about whom most Americans know little. Riccardo is a tireless musical explorer. To read his words and link to some music, click on the “comment” link at the top of this post. You will be rewarded.
Coming to the stage, Branford said he loves Rose Hall and opened with “a love song” by bassist Eric Revis. “Dance of the Evil Toys” quickly became demonic – soldiers in combat while the children sleep – and near me an audience member called out “If that’s a love song, you better play a war song.”
“Dance of the Evil Toys” also opens The Secret Between the Shadow and the Soul, released today, March 1, on Okeh Records.
For “Conversation Among the Ruins,” composed by pianist Joey Calderazzo, Branford shifted from tenor saxophone to soprano. His powerful breath delivers streams of ideas balanced by Calderazzo’s musical speech and theater. Once to my absolute delight Joey’s two fists chased each other up the piano keys. But only once. This music does not indulge in reprises.
So it was surprising that tune #3 was “When I Take My Sugar to Tea” (played by Chico in the Marx Brothers’s Monkey Business in 1931, a fact I learned after the show). Marsalis on tenor. The strategy emerged: a song for the audience, a song for the band.
“Light Filtering from the Water Flowers” (soprano) felt cinematic … French? … a thunderstorm? … braiding improv and narrative … Marsalis back-announced the piece and the name confirmed the experience. “Sunny Side of the Street” (tenor) came as a graceful lament. Then the finale jettisoned storylines and lyricism for intensity, speed and accuracy, hard work. Drummer Justin Faulkner leaned in big time.
Citizens of the Blues – trumpet, piano, bass and drums students from Juilliard and Manhattan Schools – opened the concert, and they played their opportunity just right. After two original pieces, they surprised this older audience with the unadorned, distinctive melody of “A House Is Not a Home” (1964 hit for Dionne Warwick), back announced by trumpeter Anthony Hervey who said, “If you recognized it, we did our job,” with Isaiah J. Thompson, piano; Philip Norris, bass; Domo Branch, drums.